Pesquisando por: "ANDREA MANTEGNA" - Fotoarena - Agência de fotojornalismo

RC2MGV2QVCOY Christie's auctioneer Patrick Lindsay during the auction of the Renaissance masterpiece, The Adoration of the magi, by Andrea Mantegna; the painting set a new world record selling for 7.5 million pounds sterling. April 18, 1985 REUTERS/Brian Smith 85133059

RC2MGV2Y6J6I Christie's auctioneer Patrick Lindsay during the auction of the Renaissance masterpiece, The Adoration of the magi, by Andrea Mantegna; the painting set a new world record selling for 7.5 million pounds sterling. April 18, 1985 REUTERS/Brian Smith 85133059

RC2MGV2UAO9K Christie's auctioneer Patrick Lindsay brings down the hammer on the sale of the Renaissance masterpiece, The Adoration of the Magi, by Andrea Mantegna; the painting set a new world record selling for 7.5 million pounds sterling. April 18, 1985 REUTERS/Brian Smith 85133059

RC2MGV2OO4QI Christie's auctioneer Patrick Lindsay brings down the hammer on the sale of the Renaissance masterpiece, The Adoration of the Magi, by Andrea Mantegna; the painting set a new world record selling for 7.5 million pounds sterling. April 18, 1985 REUTERS/Brian Smith 85133059

908_06_LR9000078 The Trivulzio Madonna

908_06_LR8000012 The return from the hunt

alb3743281 Justicia (Justice). Dated: c. 1465. Dimensions: sheet: 17.9 x 10 cm (7 1/16 x 3 15/16 in.). Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Master of the E-Series Tarocchi.

alb4132854 Prudence, plate 35 from Genii and Virtues. Master of the E-Series Tarocchi; Italian, active c. 1465. Date: 1460-1470. Dimensions: 180 x 100 mm. Engraving on paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

alb3903815 The Battle of the Sea Gods (the Left Half). Date/Period: Ca. 1475. Print. Engraving and drypoint Engraving and drypoint. Height: 276 mm (10.86 in); Width: 329 mm (12.95 in). Author: ANDREA MANTEGNA.

akg153735 Caesar, Gaius Julius; Roman statesman and general; 100-44 BC. "Triumph of Caesar". Painting, ascribed to Peter Paul Rubens (1577-1640), and by Erasmus II Quellius (1607-78). Copy after the pict. cycle "Triumph of Caesar" by Andrea Mantegna. Oil on oakwood, 86.5 × 90.5cm. Formerly Nostitz Collection. Prague, National Gallery. Museum: Prag, Národní Galerie (Nationalgalerie).

akg4813789 Mantegna,Andrea. (vers 1431, Isola di Carturo (province de Padoue) - 13.09.1506 Mantoue). peintre italien. Le Martyre de Saint Christophe, détail. Fresque, vers 1450. Padoue, Église des érémitiques, Chapelle d'Ovetari. Photo, septembre 2016.

akg4813788 Mantegna,Andrea. (vers 1431, Isola di Carturo (province de Padoue) - 13.09.1506 Mantoue). peintre italien. Le Miracle de Saint Jacques (après restauration). Fresque, vers 1450. Padoue, Église des érémitiques, Chapelle d'Ovetari. Photo, septembre 2016.

akg4813791 Mantegna,Andrea. (vers 1431, Isola di Carturo (province de Padoue) - 13.09.1506 Mantoue). peintre italien. Le Martyre de Saint Christophe, détail. Fresque, vers 1450. Padoue, Église des érémitiques, Chapelle d'Ovetari. Photo, septembre 2016.

alb4935313 Andrea Andreani, The Triumph of Julius Caesar, Andrea Andreani (Italian, Mantua, 1558/15591629), Intermediary draftsman Bernardo Malpizzi (Italian, ca. 15531623), After Andrea Mantegna (Italian, Isola di Carturo 1430/311506 Mantua), 1599, Chiaroscuro woodcut comprising 10 sheets (9 of images and 1 title) from slightly different printings from three and four blocks in black (keyblock) and shades from light brown through grey, Framed: 33 7/16 in. × 13 ft. 11 5/16 in. (85 × 425 cm), Sheet: 14 3/16 in. × 12 ft. 5 5/8 in. (36 × 380 cm), Prints.

alb4924925 Attributed by Bartsch to Giovanni Antonio da Brescia, The Triumph of Caesar: the senators, Attributed by Bartsch to Giovanni Antonio da Brescia (Italian, active ca. 1490ca. 1525), After Andrea Mantegna (Italian, Isola di Carturo 1430/311506 Mantua), 14701525, Engraving, Sheet (Trimmed): 10 15/16 × 10 1/2 in. (27.8 × 26.6 cm), Prints.

alb3625654 David with His Foot in a Noose in an Initial O. Artist: Domenico Morone (Italian, Verona ca. 1442-ca. 1518 Verona). Dimensions: 7 3/8 x 6 1/8 in. (18.7 x 15.5cm)Initial Ground: 6 1/4 x 6 3/16 in. (15.8 x 15.7cm). Date: ca. 1500.Initial O introducing the Introit (opening chant) to the Mass for the third Sunday of Lent, Psalm 24:15: Oculi mei semper ad Dominumquia ipse ellevet de laqueopedesmeos, "My eyes are ever toward the Lord, for he shall pluck my feet out of the snare."This vibrantly colored initial portrays David holding the end of a noose around his foot while looking toward heaven to the hand of God. It is among a small group of miniatures by the Veronese painter Domenico Morone and belonged to an unidentified choir book known as a gradual that was likely made for a Franciscan monastery, perhaps San Bernardino di Verona. Domenico is known primarily for his panel paintings and large-scale frescoes for churches in the Veneto. His hard, linear style, sculpturesque figures, plastic manner of rendering drapery, and rocky landscape reveal the influence of the Paduan master Andrea Mantegna. Museum: Metropolitan Museum of Art, New York, USA.

alb3655561 Madonna and Child with Saints. Artist: Girolamo dai Libri (Italian, Verona 1474-1555 Verona). Dimensions: Arched top, 157 x 81 1/2 in. (398.8 x 207 cm). Date: ca. 1520.The saints (left to right) are Catherine of Alexandria, Leonard, Augustine, and Apollonia.Painted in about 1520 for the Augustinian church of San Leonardo nel Monte outside Verona, the picture was described at length by the sixteenth-century biographer Giorgio Vasari, who especially admired the landscape and enormous laurel tree. While the Madonna and Child reflect the work of Andrea Mantegna, the distant hill crowned with a fortress and the dead tree are taken over directly from Dürer's well-known engraving of Saint Eustace. The juxtaposition of the dead tree with the flourishing laurel refers to Death and Resurrection, while the peacock is a traditional symbol of immortality.A versatile artist, Girolamo dai Libri was equally famous as an illuminator of books, whence his name dai Libri ("of the books"). Of modern manufacture, the frame is based on Renaissance prototypes. Museum: Metropolitan Museum of Art, New York, USA. Author: Girolamo dai Libri.

alb2627920 Andrea Andreani after Andrea Mantegna (Italian, 1558-1559-1629), The Triumph of Julius Caesar, 1599, chiaroscuro woodcut.

alb3372484 The Resurrection. Museum: Musée des Beaux-Arts de Tours. Author: ANDREA MANTEGNA.

alb2049663 The Resurrection, 1457-1459, by Andrea Mantegna (1431-1506), tempera on wood (70x92 cm). Detail. Location: Tours, Musée Des Beaux-Arts (Picture Gallery).

alb1985822 Triumph of Virtue or Pallas Expelling the Vices from the Garden of Virtue, 1502, by Andrea Mantegna (1431-1506), tempera on canvas, 160x192 cm. Location: Paris, Musée Du Louvre.

les40100161 Martyrdom of Saint Cristoforus. Spectators looking out of a window. Detail of a fresco (1448-1456) Ovetari Chapel, Padova. Author: ANDREA MANTEGNA. Location: Eremitani, Chiesa degli, Padova, Italy.

les40100160 Martyrdom of Saint Cristoforus. Architecture and spectators. Detail of a fresco (1448-1456) Ovetari Chapel, Padova. Author: ANDREA MANTEGNA. Location: Eremitani, Chiesa degli, Padova, Italy.

les40070516 David and Goliath. Monochrome workshop painting Imitation of a relief (around 1490) 8.5 x 36 cm Inv. 1965. Author: ANDREA MANTEGNA. Location: Kunsthistorisches Museum, Gemaeldegalerie, Vienna, Austria.

alb3661537 Mars seated at the left, his left hand on Venus's shoulder, cupid beside her at the right. Artist: Marcantonio Raimondi (Italian, Argini (?) ca. 1480-before 1534 Bologna (?)). Dimensions: 11 1/4 x 8 1/8 in. (28.6 x 20.7 cm). Date: 1508. Museum: Metropolitan Museum of Art, New York, USA.

alb9877391 Wall painting from the Church of the Hermits, Padua, Italy, 15th century. Painted 1448-1457 by Renaissance artist Andrea Mantegna. Aus der Kirche der Eremitani, Padua, XV Jahrh. Chromolithograph directed by Prof. Moritz Meurer from Ernst Ewalds Farbige decorationen, alter und never Zeit (Color decoration, ancient and new eras), Ernst Wasmuth, Berlin, 1889.

alb3700189 Saint Jerome in the Wilderness. Dated: c. 1475. Dimensions: painted surface: 78.4 x 53 cm (30 7/8 x 20 7/8 in.) support: 80.7 x 55 cm (31 3/4 x 21 5/8 in.) framed: 102.6 x 76.2 cm (40 3/8 x 30 in.). Medium: tempera on poplar panel. Museum: National Gallery of Art, Washington DC. Author: Follower of Andrea Mantegna.

alb5517208 Andrea Mantegna (1431-1506)/ Madonna and Sleeping Child, 1465-1470. Glue tempera on linen, 43x32 cm. Museum: Gemaldegalerie Gemald, BERLIN, GERMANY.

akg150138 Rubens, Peter Paul (1577-1640) attr., and Erasmus II Quellinus. (1607-78). "Triumph of Caesar - Captured standards and siege equipment". (Copy, after the cycle: "Triumph of Caesar" by Andrea Mantegna). Oil on wood, 86,5 × 90,5 cm. Nostitz Collection. Prague, National Gallery. Museum: Prag, Národní Galerie (Nationalgalerie).

alb3903823 Saint Mark the Evangelist. Date/Period: Ca. 1450. Painting. Mixed technique on canvas. Height: 81.1 cm (31.9 in); Width: 63.6 cm (25 in). Author: ANDREA MANTEGNA.

alb4121400 Peasant woman with jug on the head and a falconer on horseback. Artist: Philips Wouwerman. Artist: Andrea Mantegna (possibly). Draughtsman: Hendrik Abraham Klinkhamer. Dating: 1820 - 1872. Measurements: h 206 mm × w 268 mm. Museum: Rijksmuseum, Amsterdam.

alb3350209 Young man fighting the dragon. Museum: State A. Pushkin Museum of Fine Arts, Moscow. Author: ANDREA MANTEGNA.

alb3354748 The Ascension (Trittico degli uffizi (Uffizi Triptych), left panel). Museum: Galleria degli Uffizi, Florence. Author: ANDREA MANTEGNA.

alb1750122 Renaissance. Andrea Mantegna (1431-1506). Italian painter. Triumph of the Virtues (Minerva Expelling the Vices from the Garden of Virtue). 1502. Louvre.

alb1463369 Renaissance. Andrea Mantegna (1431-1506). Italian Painter. Quattrocento. The Crucifixion. Central part of the predella of altarpiece. 1457-1459. Oil on panel. Louvre, Pari_s.

alb5132090 Engraver possibly by: Master of 1515, Italian, active ca. 151520, After: Andrea Mantegna, Italian, ca. 14311506, Hercules and Antaeus, ca. 1510, Engraving, image: 23.1 × 17.8 cm (9 1/8 × 7 in.), Italian, 16th century, Works on Paper - Prints.

akg421325 Mantegna, Andrea. 1431-1506. "The Ascension", Section:. Christ; c. 1464. (Left wing of the triptych). Tempera on wood, 86 × 43cm. Inv. No. 910. Florence, Galleria degli Uffizi. Museum: Florenz, Galleria degli Uffizi.

akg7906373 Attributed to Mantegna, Andrea, 1431-1506. "The master of the world", 15th century. Painting, oil painting. PPP2527, Paris, Petit Palais.

orz050565 Italian school. Dead Christ. Oil tempera. Milan, Pinacoteca di Brera. Author: ANDREA MANTEGNA (1431-1506). Location: PINACOTECA DI BRERA. Milan. ITALIA. JESUS. JESUS MUERTO-CRISTO MUERTO-JESUCRISTO MUERTO.

orz020595 VENUS MARTE Y DIANA. Author: ANDREA MANTEGNA (1431-1506). Location: BRITISH MUSEUM. LONDON. ENGLAND. MARS. VENUS DIOSA ROMANA. DIANA CAZADORA-DIOSA EN LA MITOLOGIA ROMANA.

alb3651481 Sheet 2: a Triumphal Chariot, from The Triumph of Julius Caesar. Artist: After Andrea Mantegna (Italian, Isola di Carturo 1430/31-1506 Mantua); Andrea Andreani (Mantua, 1558/1559-1629); Intermediary draughtsman Bernardo Malpizzi (Italian, 1555-1623). Dimensions: Sheet: 15 1/2 × 15 5/8 in. (39.4 × 39.7 cm)Image: 14 1/2 × 15 1/4 in. (36.8 × 38.8 cm). Date: 1599. Museum: Metropolitan Museum of Art, New York, USA.

alb3658205 The Madonna of Humility, the Annunciation, the Nativity, and the Pietà. Artist: Bartolomeo Vivarini (Italian, active Venice 1450-91). Dimensions: Central panel, overall 23 x 18 in. (58.4 x 45.7 cm); left panel, overall 22 3/8 x 9 1/2 in. (56.8 x 24.1 cm); right panel, overall 22 1/4 x 9 3/8 in. (56.5 x 23.8 cm);. Date: ca. 1465.The Vivarini were a family of Venetian painters whose prolific workshop specialized in large multi-tiered altarpieces for churches throughout the Veneto region. This relatively small triptych was likely intended for private devotion. The kneeling nun, dressed as a member of the Dominican Order, probably represents the patron. Bartolomeo's debt to the Paduan master Andrea Mantegna is especially evident in the rendering of the landscape and the figure of the Madonna in the Nativity scene. Although the frame is not original, it conveys the decorative ornamentation typical of the Vivarini. Museum: Metropolitan Museum of Art, New York, USA.

alb3903818 The Presentation. Date/Period: Ca. 1465. Painting. Oil on poplar wood. Height: 69 cm (27.1 in); Width: 86.3 cm (33.9 in). Author: ANDREA MANTEGNA.

alb3907608 Judith with the Head of Holophernes. Date/Period: Ca. 1495/1500. Painting. Tempera on panel. Height: 30.10 mm (1.18 in); Width: 18.10 mm (0.71 in). Author: Andrea Mantegna or Follower (Possibly Giulio Campagnola).

alb4136774 Music, plate 26 from Arts and Sciences. Master of the E-Series Tarocchi; Italian, active c. 1465. Date: 1460-1470. Dimensions: 179 x 100 mm. Engraving, with brush and light yellow metallic wash, on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

alb5121662 Artist: Katharina Prestel, German, 17471794, After: Andrea Mantegna, Italian, ca. 14311506, After: Antonio del Pollaiuolo, Italian, Florence, ca.14321498, General Gattamelata Mourned by the People, Etching and aquatint, platemark: 39.7 × 50.1 cm (15 5/8 × 19 3/4 in.), Made in Germany, German, 18th century, Works on Paper - Prints.

alb9450508 Christ rescues souls from purgatory, Christ stands at the entrance to Limbo or purgatory and extends a hand to a man. On the left are half-naked men and women who have been saved., print maker: anonymous, after design by: Andrea Mantegna, (school of), Italy, 1492 - 1550, paper, engraving, height 222 mm × width 270 mm.

alb1989394 Bacchanal with a Wine Vat, 1470-1480, by Andrea Mantegna (1431-1506). Engraving and drypoint, 29.7x43.7 cm. Location: Florence, Galleria Degli Uffizi (Uffizi Gallery) Gabinetto Disegni E Stampe Degli Uffizi (Drawings And Engravings).

alb1982670 Adam and Eve committing original sin, detail from The Virgin of Victory, 1496, by Andrea Mantegna (1431-1506), tempera on canvas, 280x166 cm. Location: Paris, Musée Du Louvre.

alb1971629 Court Wall, the central scene, 1465-1474, by Andrea Mantegna (1431-1606), fresco. San Giorgio Castle, Wedding Chamber or Camera Picta, Mantua.

alb1979310 Crucifixion, 1861, by Edgar Degas (1834-1917). Copy of the predella of the San Zeno Altarpiece in Verona, by Andrea Mantegna. Location: Tours, Musée Des Beaux-Arts (Picture Gallery).

alb1972489 Frederick III of Habsburg, Christian I of Denmark and Federico I Gonzaga, detail from the Meeting Wall, 1465-1474, by Andrea Mantegna (1431-1606), fresco. San Giorgio Castle, Wedding Chamber or Camera Picta, Mantua.

akg568404 Mantegna, Andrea. c. 1430/31-1506. St. Sebastian. c. 1480. Detail: cityscape with Roman city gate and castle. Tempera on canvas, 255 × 142 cm. From the Sainte-Chapelle in Aigueperse. R.F. 1766. Paris, Musée du Louvre. Museum: Paris, Musée Du Louvre.

alb4121404 Madonna with child. Artist: Andrea Mantegna. Draughtsman: Hendrik Abraham Klinkhamer. Dating: 1820 - 1872. Measurements: h 268 mm × w 209 mm. Museum: Rijksmuseum, Amsterdam.

alb1981590 Adoration of the Magi, panel of the Triptych from the Uffizi Gallery, with the Ascension, the Adoration of the Magi and the Circumcision, 1463-1464, by Andrea Mantegna (1431-1506). Tempera on wood, 86x161.5 cm. Location: Florence, Galleria Degli Uffizi (Uffizi Gallery).

alb1984572 The Parnassus, 1497, by Andrea Mantegna (1431-1506), tempera on canvas, 160x192 cm. Detail. Location: Paris, Musée Du Louvre.

alb5124367 After: Andrea Mantegna, Italian, ca. 14311506, Christ Descending into Limbo, 18th century, Engraving, platemark: 21.8 × 26.9 cm (8 9/16 × 10 9/16 in.), Made in Italy, Italian, 18th century, Works on Paper - Prints.

akg1641986 Kunstgeschichte.-Kommentierte Projektion von Meisterwerken der abendländischen Kunst in einem Kunstgeschichtskurs an einer Pariser Universität: Illusionistische Gewölbeöffnung mit Putti und herabblickenden Frauen, Fresko, 1465/74, von Andrea Mantegna (1431-1506); Mantua (Italien), Palazzo Ducale, Castello ...

akg1641989 Kunstgeschichte.-Kommentierte Projektion von Meisterwerken der abendländischen Kunst in einem Kunstgeschichtskurs an einer Pariser Universität: Illusionistische Gewölbeöffnung mit Putti und herabblickenden Frauen, Fresko, 1465/74, von Andrea Mantegna (1431-1506); Mantua (Italien), Palazzo Ducale, Castello ...

akg1641987 Kunstgeschichte.-Kommentierte Projektion von Meisterwerken der abendländischen Kunst in einem Kunstgeschichtskurs an einer Pariser Universität: Illusionistische Gewölbeöffnung mit Putti und herabblickenden Frauen, Fresko, 1465/74, von Andrea Mantegna (1431-1506); Mantua (Italien), Palazzo Ducale, Castello ...

akg1641991 Kunstgeschichte.-Kommentierte Projektion von Meisterwerken der abendländischen Kunst in einem Kunstgeschichtskurs an einer Pariser Universität: Illusionistische Gewölbeöffnung mit Putti und herabblickenden Frauen, Fresko, 1465/74, von Andrea Mantegna (1431-1506); Mantua (Italien), Palazzo Ducale, Castello ...

akg1641990 Kunstgeschichte.-Kommentierte Projektion von Meisterwerken der abendländischen Kunst in einem Kunstgeschichtskurs an einer Pariser Universität: Illusionistische Gewölbeöffnung mit Putti und herabblickenden Frauen, Fresko, 1465/74, von Andrea Mantegna (1431-1506); Mantua (Italien), Palazzo Ducale, Castello ...

alb5120750 Engraver: Giovanni Antonio da Brescia, Italian, 14701520, After: Andrea Mantegna, Italian, ca. 14311506, The Holy Family with St. Elizabeth and the Young John the Baptist, ca. 14951500, Engraving, Made in Italy, Italian, 15th16th century, Works on Paper - Prints.

akg1617334 Moncade, Claude; französische Malerin; geb. 1945 in Biarritz; lebt und arbeitet in Bayonne.-Claude Moncade bei der Arbeit in ihrem Atelier in Bayonne.-Foto, undat. (2008-2009). Aus der Serie "Vies d' Ateliers", ausgestellt in der Galerie Georges Pompidou in Anglet ( Pyrénées-Atlantiques).

alb3730808 Euterpe. Dated: c. 1465. Dimensions: sheet: 17.8 x 9.8 cm (7 x 3 7/8 in.). Medium: engraving with gilding. Museum: National Gallery of Art, Washington DC. Author: Master of the E-Series Tarocchi.

alb3623398 The Martyrdom of Saint James. Artist: Giovanni David (Italian, Cabella Ligure 1749-1790 Genoa); Designed by school of Andrea Mantegna (Italian, Isola di Carturo 1430/31-1506 Mantua). Dimensions: sheet: 12 13/16 x 15 9/16 in. (32.5 x 39.5 cm) trimmed to platemark. Date: 1776. Museum: Metropolitan Museum of Art, New York, USA.

alb3605081 Saint James Cures a Blind Man. Artist: Giovanni David (Italian, Cabella Ligure 1749-1790 Genoa); Designed by school of Andrea Mantegna (Italian, Isola di Carturo 1430/31-1506 Mantua). Dimensions: sheet: 12 1/2 x 16 1/8 in. (31.8 x 40.9 cm) trimmed to platemark. Date: 1776. Museum: Metropolitan Museum of Art, New York, USA.

alb3658022 The triumph of a Roman Emperor; a young naked hero stands at center on a pile of armor; a woman at right holds aloft a laurel wreath. Artist: Marcantonio Raimondi (Italian, Argini (?) ca. 1480-before 1534 Bologna (?)); After Jacopo Ripanda (Italian, active 1500-1516). Dimensions: Sheet: 14 × 20 in. (35.5 × 50.8 cm). Date: ca. 1510. Museum: Metropolitan Museum of Art, New York, USA. Author: Marcantonio Raimondi. After Jacopo Ripanda.

alb3668505 The Martyrdom of Saint Christopher, "Secondo Quadro". Artist: Giovanni David (Italian, Cabella Ligure 1749-1790 Genoa); Designed by school of Andrea Mantegna (Italian, Isola di Carturo 1430/31-1506 Mantua). Dimensions: sheet: 12 13/16 x 15 5/8 in. (32.5 x 39.7 cm) trimmed to platemark. Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

alb9515892 Martyrdom of Saint James, Andrea Mantegna's frescoes in the Chiesa degli Eremitani in Padua (series title), The apostle James lies with his head under the block. A soldier raises his hammer to behead him. Soldiers look on. Italian landscape in the background., print maker: Giovanni David, after drawing by: Giovanni David, after painting by: Mantegna, print maker: Italy, after drawing by: Italy, after painting by: Padua, 1776, paper, etching, counterproof, height 430 mm × width 524 mm.

alb9498668 Martyrdom of Saint Christopher, The frescoes by Andrea Mantegna in the Chiesa degli Eremitani in Padua (series title), Saint Christopher stands tied to a pillar. In front of him is a group of soldiers looking up at a window where the king of Lycia has just been shot in the eye with an arrow intended for Christopher., print maker: Giovanni David, (mentioned on object), after drawing by: Giovanni David, (mentioned on object), after painting by: Mantegna, (mentioned on object), print maker: Italy, after drawing by: Italy, after painting by: Padua, 1776, paper, etching, height 326 mm × width 400 mm.

alb9484261 Martyrdom of Saint Christopher, The frescoes by Andrea Mantegna in the Chiesa degli Eremitani in Padua (series title), The decapitated body of Saint Christopher lies in the street. Around the body stand soldiers and other spectators.

alb9445550 A chalice with scenes from the life of Christ and the apostles, Mishkelk, print maker: Wenceslaus Hollar, (mentioned on object), intermediary draughtsman: anonymous, (attributed to), intermediary draughtsman: Andrea Mantegna, (rejected attribution), London, 1640, paper, etching, h 470 mm × w 240 mm.

alb9439381 Martyrdom of Saint Christopher, The frescoes by Andrea Mantegna in the Chiesa degli Eremitani in Padua (series title), Saint Christopher stands tied to a pillar. In front of him is a group of soldiers looking up at a window where the king of Lycia has just been shot in the eye with an arrow intended for Christopher., print maker: Giovanni David, after drawing by: Giovanni David, after painting by: Mantegna, print maker: Italy, after drawing by: Italy, after painting by: Padua, 1776, paper, etching, counterproof, height 462 mm × width 547 mm.

alb9420745 Two altar shutters, The Crucifixion and Copper Hose Foundation, draughtsman: anonymous, intermediary draughtsman: Pieter Aertsen, Andrea Mantegna, Low Countries, 1540 - 1570, paper, pen, brush, h 319 mm × w 255 mm.

alb3635932 A young woman personifying Force or Strength holding a column. Artist: Marcantonio Raimondi (Italian, Argini (?) ca. 1480-before 1534 Bologna (?)). Dimensions: Sheet: 5 1/4 × 2 7/8 in. (13.3 × 7.3 cm). Date: ca. 1517-27. Museum: Metropolitan Museum of Art, New York, USA.

alb3747143 Grammatica (Grammar). Dated: c. 1465. Dimensions: sheet: 18.4 x 10.5 cm (7 1/4 x 4 1/8 in.). Medium: engraving with gilding. Museum: National Gallery of Art, Washington DC. Author: Master of the E-Series Tarocchi.

alb3744965 Doxe (Doge). Dated: c. 1465. Dimensions: sheet: 18.5 x 10.6 cm (7 5/16 x 4 3/16 in.). Medium: engraving with gilding. Museum: National Gallery of Art, Washington DC. Author: Master of the E-Series Tarocchi.

alb4133925 Clio, plate nineteen from Apollo and the Muses. Master of the E-Series Tarocchi; Italian, active c. 1465. Date: 1460-1470. Dimensions: 181 x 100 mm. Engraving on paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

alb4136767 Venus, plate 43 from Planets and Spheres. Master of the E-Series Tarocchi; Italian, active c. 1465. Date: 1460-1470. Dimensions: 180 x 100 mm (plate); 187 x 105 mm (sheet). Engraving on paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

alb4133827 Study for the Triumphs of Julius Caesar: Canvas No. I. After Andrea Mantegna; Italian, 1431-1506. Date: 1490-1551. Dimensions: 276 x 281 mm. Pen and brown ink with red pencil, on tan laid paper, laid down on ivory wove paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

alb4134816 Fortitude, plate 36 from Genii and Virtues. Master of the E-Series Tarocchi; Italian, active c. 1465. Date: 1460-1470. Dimensions: 180 × 100 mm (plate); 186 × 105 mm (sheet). Engraving in black on cream laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

alb3718151 Iupiter (Jupiter). Dated: c. 1465. Dimensions: sheet: 17.7 x 10 cm (6 15/16 x 3 15/16 in.). Medium: engraving with gilding. Museum: National Gallery of Art, Washington DC. Author: Master of the E-Series Tarocchi.

alb3707571 Clio. Dated: c. 1465. Dimensions: sheet: 17.8 x 10 cm (7 x 3 15/16 in.). Medium: engraving with traces of gilding. Museum: National Gallery of Art, Washington DC. Author: Master of the E-Series Tarocchi.

alb3709249 Prima Causa (First Cause). Dated: c. 1465. Dimensions: sheet: 17.8 x 9.9 cm (7 x 3 7/8 in.). Medium: engraving with light gilding. Museum: National Gallery of Art, Washington DC. Author: Master of the E-Series Tarocchi.

alb3732510 Marte (Mars). Dated: c. 1465. Dimensions: sheet: 17.8 x 10 cm (7 x 3 15/16 in.). Medium: engraving with gilding. Museum: National Gallery of Art, Washington DC. Author: Master of the E-Series Tarocchi.

alb3737636 Octava Spera (Eighth Sphere). Dated: c. 1465. Dimensions: sheet: 17.8 x 9.9 cm (7 x 3 7/8 in.). Medium: engraving with gilding. Museum: National Gallery of Art, Washington DC. Author: Master of the E-Series Tarocchi.

alb3730189 Poesia (Poetry). Dated: c. 1465. Dimensions: sheet: 18.6 x 10.6 cm (7 5/16 x 4 3/16 in.). Medium: engraving with traces of gilding. Museum: National Gallery of Art, Washington DC. Author: Master of the E-Series Tarocchi.

alb3737835 Chavalier (Knight). Dated: c. 1465. Dimensions: sheet: 18.4 x 10.5 cm (7 1/4 x 4 1/8 in.). Medium: engraving with traces of gilding. Museum: National Gallery of Art, Washington DC. Author: Master of the E-Series Tarocchi.

alb3734640 Imperator (Emperor). Dated: c. 1465. Dimensions: sheet: 17.8 x 10 cm (7 x 3 15/16 in.). Medium: engraving with gilding. Museum: National Gallery of Art, Washington DC. Author: Master of the E-Series Tarocchi.

alb3734537 Merchadante (Merchant). Dated: c. 1465. Dimensions: sheet: 17.8 x 9.8 cm (7 x 3 7/8 in.). Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Master of the E-Series Tarocchi.

alb3723605 Charita (Charity). Dated: c. 1465. Dimensions: sheet: 17.8 x 9.9 cm (7 x 3 7/8 in.). Medium: engraving with traces of gilding. Museum: National Gallery of Art, Washington DC. Author: Master of the E-Series Tarocchi.

alb3718586 Speranza (Hope). Dated: c. 1465. Dimensions: sheet: 17.7 x 10 cm (6 15/16 x 3 15/16 in.). Medium: engraving with traces of gilding. Museum: National Gallery of Art, Washington DC. Author: Master of the E-Series Tarocchi.

alb3701957 The Entombment. Dimensions: sheet: 28.5 x 42.9 cm (11 1/4 x 16 7/8 in.). Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: after Andrea Mantegna.

alb3735394 Geometria (Geometry). Dated: c. 1465. Dimensions: sheet: 18.5 x 10.5 cm (7 5/16 x 4 1/8 in.). Medium: engraving with traces of gilding. Museum: National Gallery of Art, Washington DC. Author: Master of the E-Series Tarocchi.

alb3742186 Mercurio (Mercury). Dated: c. 1465. Dimensions: sheet: 17.9 x 10 cm (7 1/16 x 3 15/16 in.). Medium: engraving with gilding. Museum: National Gallery of Art, Washington DC. Author: Master of the E-Series Tarocchi.

alb3745792 Octava Spera (Eighth Sphere). Dated: probably c. 1470. Dimensions: sheet: 17.7 x 9.6 cm (6 15/16 x 3 3/4 in.). Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Master of the S-Series Tarocchi.

alb3727546 Saturno (Saturn). Dated: c. 1465. Dimensions: sheet: 17.8 x 10 cm (7 x 3 15/16 in.). Medium: engraving with traces of gilding. Museum: National Gallery of Art, Washington DC. Author: Master of the E-Series Tarocchi.

alb4134429 The Servant, plate two from The Ranks and Conditions of Men. Master of the E-Series Tarocchi; Italian, active c. 1465. Date: 1460-1470. Dimensions: 179 x 101 mm (plate); 182 x 104 mm (sheet). Engraving on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

alb3715352 Terpsicore (Terpsichore). Dated: c. 1465. Dimensions: sheet: 17.8 x 10 cm (7 x 3 15/16 in.). Medium: engraving with gilding. Museum: National Gallery of Art, Washington DC. Author: Master of the E-Series Tarocchi.